The Art of the Tactility of Sound – Steve Parker

Two things I struggle with is how music will continue to be its own experience to the listener, especially as technology keeps developing new ways of interactivity as well as a similar struggle with determining the same about art. Times when I really work to consider these things, I arrive at the thought that both fine art, as conventionally known, and music, as conventionally consumed, feel like they are hopelessly ‘flat’ in today’s world. This seems especially so in the face of what’s being done with video game technology, AR and so on. 

Installations like Steve Parker’s Ghost Box I think does a great job of breaking up that ‘flatness’ of presentation of both mediums. The music looks to become something tactile and engaging in its human-scale topography that can be explored. A lot of how this works is talked about in a recent exhibition he had at the CUE Art Foundation – which I’m also going to follow and maybe visit in the near future.

Over the number of installations Steve has put together, he looks to have created experiences that can be seemingly different at every exposure. To me, that’s something special and exciting – especially when thinking about the relevance of the two artforms going forward.